timeline space) set to the default non-log color space of Rec.709, the resulting LUT will clip exposure values in Nuke, even with the shaper converting the working space. However, when working with DaVinci color management on, with the working space (i.e. Since this is a non-color managed workflow the DPX is read into Nuke with the input color space set to the same as the view transform.
This works on the DPX file which is in log space, as LUTS need to be in log. Going from Davinci Resolve non-color managed with DPX into Nuke, the LUT exported from Davinci works only if OCIOfiletransform is used to add a shaper LUT converting the working space for the LUT from the one used in Resolve (for example Rec.709) to Nuke’s linear working space.
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